Anna Louise offered the wealthy, aristocratic business men as the enemy, not the humble working class men; it was the owners of production who were making the decision on whether women would wear overalls in the factory or not—not institutionalized sexism. According to Tracy B. Strongs' biography Right in Her Soul, Anna Louise was able to focus her efforts in the public world after obtaining the security of her family around her. Ruth found in herself a dedicated activist in the struggle for equality on behalf of women and African-Americans. The Magazine page of the Record was solely devoted to women's issues, the news articles mainly dedicated to fashion, beauty, children, cooking—issues associated with fulfilling the role of a good wife. Her files contain letters that bear witness to the public debate that ensued—letters from strangers who offered support for a woman who they felt truly captured the interests of the common Seattleite. This is not to say that married wives and mothers did not participate in labor, but their number as a wage-earning group was significantly smaller. However, neither Anna Louise, nor Anise, nor, especially Ruth Ridgway, could escape the traditional tendencies embedded in her family life or her middle-class roots. A few sources describe Ruth Ridgway as representing several different women working at the Union Record. The ambiguous nature of the magazine page illustrates the struggle for many women to define the role of gender within the efforts of the labor movement. Tracy B. In 1916, Seattle was clearly a city noted for its progressive politics and strong labor movement, and the excitement of such an atmosphere inspired Anna Louise. Of course Anna Louise's argument was an honest one, but she placed all of the blame on the bosses for ...stirring up white men to HATE THEM. While Anna Louise claims that she wrote almost a complete page of the Union Record nearly everyday, she makes no mention in her autobiography of contributing to the advice column. Ogle, Stephanie. The girl under 20 who is working for a wage far under what will support her. While the article may have inspired workers to construct aims in addition to encouraging Seattleites to support the efforts of the strikers, Anna Louise inadvertently exacerbated the fear of radical revolution amongst the middle class. Through her most famous editorial in the Union Record, Anna Louise made quite an impact on the mood of the strike. The writings of Anna Louise Strong show the complexity and paradoxical nature of her role in the labor movement. In an article entitled Those Big, Cool Houses, for example, Anise describes the coexistence of crowded settlement housing and empty winter houses of the wealthy in New York City; she then comments on how the Communists who took over Hungary redistributed housing. The mothers and babies In her autobiography she explains being drawn to the idea of using pen-names, stating: I knew that the purpose of this was to bluff our readers into thinking that we had a big, expensive staff, but this already seemed to me clever. "Out of the conflicts that raged around the Union Record, loneliness and confusion grew for me. A typical Anise verse was formatted into three columns, each line of which was separated by three asterisks. She made her 50 million dollar fortune with Pro tennis, The Biggest Loser . Ruth Strong also encouraged her children to be independent—a modern progressive mother, Anna Louise called her. Anne Sullivan was a teacher who taught Helen Keller, who was deaf, mute, and blind, how to communicate and read Braille. If she marries, what has she time to learn about housekeeping? Anna Louise Strong was an enigmatic, influential, and unique character in the Seattle labor arena. The bruise on Kate's spine, Anna wonders what her funeral would be like, Brian and his fellow firefighters talk about the arsonist, Anna wonders what heaven will be like. A man of learning, he is known behind his back as "the Oyster Major". Facebook gives people the … It all came through going Women were encouraged to aid in the labor movement by being good activist housewives and raising class conscious children. Three major categories of primary source material are: Anna Louise's editorials and ragged verse poetry written for the Seattle Union Record -Anna Louise started her days at the Seattle Union Record writing under the name Gale; later she would sign her editorials by her real name or omit signing her name at all; her daily poetry column was usually attributed to Anise. In these big, cool houses! During her husband's imprisonment, it is believed Anna would bring him … Anna Louises parents had met at Oberlin College, where Sydney pursued his studies in Congregationalist ministry. It was through her writing, however, that Anna Louise earned the label of revolutionary from the Seattle public. Another important secondary source on Anna Louise is a book by her great-nephew and his wife: Strong, Tracy B. and Keyssar, Helene. "(PhD—University of Washington), 1981. Thus, covering the Everett trial and her ensuing recall from the school board seem to provide the impetus that would motivate Anna Louise to a new level of militantism in her writing. And I make three times more In one issue from 1918, Ruth Ridgway asks her readers How is the war affecting your children? Cooper was the daughter of a slave woman and her white slaveholder (or his brother). Anna Louise made her Seattle journalistic debut at the Seattle Daily Call, a weekly socialist newspaper that did not last long after she began her employment there. The Anise writings were formatted in an informal poetry style described as ragged verse. While her feature editorials and Anise poems exemplified her radical politics, especially regarding the government and labor issues, Anna Louise demonstrated yet another dimension of her journalistic style and staunch opinions through the Ruth Ridgway column. Anise then concludes: And I wondered WHEN Her real father was a wealthy businessman named Lazar Polyakov. And that is Christian-like. But have they done it? The various literary styles that Anna Louise utilized during her years employed at the Seattle Union Record exemplify both her unique perspective on the politics of class and gender and her rather paradoxical role in the Seattle labor movement during the era of the General Strike of 1919. Despite intending the editorial for the male-centered unions, Anna Louises mention of caring for the babies and the sick demonstrates a certain ambiguity in her convictions. Although she wanted to run for the state legislature, Anna Louise's first endeavor in Seattle was to obtain a seat on the Seattle School Board. After the Seattle Daily Call fell into bankruptcy, Anna Louise was immediately hired by Harry Ault, editor of the Seattle Union Record. Her parents encouraged the writing talents of Anna Louise by providing her with a sound education both at a public school and at home. An example of this transition can be seen in an article entitled On Behalf of All Men, that begins: Our fight, he said, Romantics believe the king waited such a long while to marry again because he loved Jane so much. In the UNION. She by no means equated the white-male dominated labor movement in Seattle, and in other cities across the country, with the promulgation of gender and race discrimination in unions. In an article she wrote entitled To Stir Up Race Hatred, Anise describes the unfair treatment of an African-American labor organizer; but Anna Louise is subtle with her words, persuading her audience with the assertion that the bosses were using these black workers to divide the movement: And I thought: WHEN Anna Louise wrote the Anise poems to encourage and advance the labor movement—a movement by and large dominated by white males. 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